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Music

Ursula Creighton

"So many books are written for beginners on the appreciation of music that I can be thankful that advancing age makes it unnecessary for me to read them, and when I do have to look into any of them I wonder whether the young people of to-day derive as much pleasure from them as I did at eighteen from reading Sir John Hawkins’ History of Music. But I have read this book of Mrs. Creighton’s with much enjoyment, for she is a musician who enjoys music herself and has the art of conveying that enjoyment to others. She has had enough experience as a teacher of the pianoforte to understand the minds of youthful readers, but she has the good fortune to have had no experience of lecturing to appreciation classes. This gives her book a fresh and unconventional point of view. She does not trouble her readers with a mass of historical detail, but talks about the music which she has herself heard and enjoyed. She spares us the well-worn (and in most cases unauthenticated) anecdotes about the great composers ; she prefers to tell us things which help us to realize the social environment in which they lived and made their music. It is a book for those who enjoy music and like to read about it for their own pleasure rather than from fear of examinations ; and one advantage of its discursiveness is that it can be enjoyed by those who like to read comfortably, dipping here and there at haphazard." (from Preface, by Edward J. Dent)

Year of Publication: 1928Genres: Music
Running Time: 06 hours 55 minutes 46 seconds(28 chapters)
Language: EnglishRead by: Martha H. Weller
#Chapter Name
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The Nights
Introduction
Martha H. Weller
13:20
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The Nights
Chapter 1. Early Music
Martha H. Weller
6:43
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The Nights
Chapter 2. Greek Music
Martha H. Weller
6:46
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The Nights
Chapter 3: Folk-Music
Martha H. Weller
4:14
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The Nights
Chapter 4: Rhythm, Melody, Harmony and Qualities of Sound
Martha H. Weller
13:10
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The Nights
Chapter 5: Mediaeval Music
Martha H. Weller
17:41
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The Nights
Chapter 6: Polyphonic Music in England and on the Continent
Martha H. Weller
22:09
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The Nights
Chapter 7: Virginals and Lutes
Martha H. Weller
13:40
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The Nights
Chapter 8: The Beginnings of Opera
Martha H. Weller
12:58
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The Nights
Chapter 9: Harpsichord Composers
Martha H. Weller
7:47
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Chapter 10: Purcell
Martha H. Weller
6:30
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The Nights
Chapter 11: Bach and Handel
Martha H. Weller
34:21
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Chapter 12: The Father of Modern Music
Martha H. Weller
20:41
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Chapter 13: Italian Opera
Martha H. Weller
20:22
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Chapter 14: Mozart
Martha H. Weller
25:19
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Chapter 15: Beethoven
Martha H. Weller
15:59
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Chapter 16: Weber and Contemporary Opera Composers
Martha H. Weller
21:51
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Chapter 17: Schubert
Martha H. Weller
13:12
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Chapter 18: Paganini
Martha H. Weller
6:04
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The Nights
Chapter 19: Berlioz
Martha H. Weller
13:50
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The Nights
Chapter 20: Mendelssohn and Chopin
Martha H. Weller
9:59
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Chapter 21: Liszt
Martha H. Weller
14:12
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Chapter 22: Wagner
Martha H. Weller
27:55
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Chapter 23: Verdi
Martha H. Weller
9:23
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Chapter 24: Schumann and Brahms
Martha H. Weller
17:03
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Chapter 25: Some Russian Composers
Martha H. Weller
9:21
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Chapter 26: Some Modern Composers
Martha H. Weller
21:40
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The Nights
Appendix. Form in Music
Martha H. Weller
9:36

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